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Kim Seung Yeon's work is romantic while revealing the beauty of print by artistically exposing images of the city that are forgotten in the dark. Modern art is becoming excessively metaphysical, and while separating the common people from forms of high art it has long forgotten the subject of landscapes. Landscapes, whether the fruit of Romanticism or a manner belonging to Impressionism, are being reinterpreted through the work of Kim Seung Yeon.
Reproduction of Reality from Foreword by Art critic Lee Young Woo